2025
A commemorative 30th anniversary logo and tagline was created specifically for the event, alongside exhibition graphics, panel designs for each specialisation, and publicity reels for marketing. The exhibition countdown and launch were announced across Facebook, Instagram and LinkedIn. Behind-the-scenes content, live event updates and the exhibition tear-down were documented and shared through Instagram Stories, posts and Reels. This extended the celebration beyond the physical exhibition, allowing audiences who were unable to attend to experience it remotely.
Associated with: SCDA
Identity, Copywriting, Writing, Documentation, Social Media and PR Marketing
2022
Associated with: SCDA
Client: Ling Fu, Founder
Photography, Colour Correction, Photo Touch-up
2021–22
Associated with: Soori Bali (Soori Hotel and Resorts)
Art Direction, Video Editing
2019–26
Associated with: SCDA
Photography, Portrait photography, Natural-light photography
2019
Associated with: Epigram SG
Client: Wildlife Reserves Singapore Conservation Fund (WRSCF)
Creative Direction, Publication, Illustration, Infographics
2019
Associated with: Epigram SG and Epigram UK
Client: Jason Erik Lundberg, May Seah, Lau Siew Mei, Pico Iyer
Book Cover Design, Illustration
2019
Associated with: Epigram SG and Epigram UK
Client: Singapore Book Publishers Association (SBPA) and National Arts Council (NAC)
Photo: Courtesy of SBPA
Exhibition, Exhibition Design, Spatial Design
2018
On their own, the original shapes represent tradition. But once overlapped with one another, new and unique shapes are formed, representing present-day modern art forms of modularity and adaptability.
Apart from the shapes, the logotype shows a mixture of regular and italics sans-serif font styles, paired with the overall pattern’s bright and colourful palette. This combination reflects how harmony and balance are created through the expression of integration and progress—a reminder that in order to move forward, we must look back and appreciate how far we have come.
Associated with: qu’est-ce que c’est design
Client: Esplanade - Theatres on the Bay, Singapore
Creative Direction, Identity
2018
Continuing the triangle motif of their earlier logo, they believe that its multiple points and ability to be flexibly applied in various orientations represent the multiplicity of meanings and connections across geographics and areas of knowledge.
The new design utilises the three As to form a bold and distinct equilateral triangle. When placed in this format, each ‘A’ has adequate prominence, which not only allows each of them to be represented as a standalone concept but also allows the concepts to interact with one another infinitely—just as the members of Asia Art Activism engage with these concepts alongside their own specialisations within their work.
Associated with: qu’est-ce que c’est design
Client: Annie Jael Kwan, Curator
Creative Direction, Identity
2017
For this studio-initiated project, five designers were each assigned different roles. I was tasked with the following two.
First, to create (from scratch) a fictitious columnist who responds to each issue’s burning question, posted to our audience via social media platforms (Instagram, Twitter, and Reddit). Six hundred words per article, with lots of research via movies, books, and interviews, and cheeky hidden messages in every article—all “written by” Christopher Luke Collins*, a 34-year-old British, witty, and sentimental man—was born.
*He sounds like a dream, but too bad he ain’t real!
Second, to share behind-the-scenes processes on our studio’s Instagram account, bringing the audience along with us as we prepared the zine from start to finish, which generated awareness and excitement. This also helped us publicise the zine to the world, gathering responses to our questions from across all platforms.
With a limited budget, we sourced establishments around the world (cafes, bookstores, etc. that were in line with the issue’s theme) that would allow us to place a limited 10–20 copies free for their customers to pick up. Once the locations were secured, the zines, along with handmade posters for that issue, were delivered—with a special request: a snapshot of the staff holding up our zine as promotional material on both parties’ social media accounts. This helped generate free advertising for both sides: a win-win situation with a +1 point for independent brands!
Limited run.
500 copies per issue.
Associated with: qu’est-ce que c’est design
Writing, Editorial, Research, Social Media and PR Marketing